Photo 11 Apr 355,320 notes steampoweredsass:

tywinllannister:

thepredatorblog:

tallestsilver:

ryrick:

this will never not be funny.

I REFUSE

i can’t actually breathe

It looks pissed

get out
























Never!

steampoweredsass:

tywinllannister:

thepredatorblog:

tallestsilver:

ryrick:

this will never not be funny.

I REFUSE

i can’t actually breathe

It looks pissed

get out

Never!

(Source: mazerin)

Video 9 Apr 314,718 notes

(Source: phoebebuffay)

Photo 21 Mar 132 notes inrooms:

she needed not the vows, nor the groom, the sun shed more light to carve the path
www.in-rooms.com
2014

Fantastic.

inrooms:

she needed not the vows, nor the groom, the sun shed more light to carve the path

www.in-rooms.com

2014

Fantastic.

via In Rooms.
Photo 20 Mar 185 notes meinthefifties:

Joan Fontaine in This Above All directed by Anatole Litvak, 1942.

meinthefifties:

Joan Fontaine in This Above All directed by Anatole Litvak, 1942.

Video 19 Mar 42,538 notes

c-rescentmoon:

maggiethunder:

Marimo - Reclaimed Light Bulb Aquarium with Living Moss Ball

[1] [2] [3]

This is so adorable!!!!! Oh my goodness i want one! *u*

via Brittany.
Video 10 Mar 140,376 notes

(Source: livefromearth)

Photo 3 Mar 850 notes zoeblancsec:

bravo-hotel:

Andreas Feininger, Nu, 1933

💙

zoeblancsec:

bravo-hotel:

Andreas Feininger, Nu, 1933

💙

(Source: mbam.qc.ca)

Photo 30 Jan 2,466 notes sickpage:

Sabrina.E

I am too afraid to ever get a tattoo, but I love this, not just because the movie is awesome.

sickpage:

Sabrina.E

I am too afraid to ever get a tattoo, but I love this, not just because the movie is awesome.

Photo 30 Jan 872 notes 


Anna Postnikova
Photo 20 Jan 97,517 notes theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.


Man this is still one of my favorite little social projects/experiments.

theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.

Man this is still one of my favorite little social projects/experiments.


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